Roland VS-1824 Bedienungshandbuch Seite 91
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Chapter 6 Mixer Channel Strip Detail
Chapter 6
Low
This adjusts the gain (-12 dB to +12 dB) and the shelving
frequency (40 Hz-1.5 kHz) of the low-band EQ.
Mid
This adjusts the gain (-12 dB to +12 dB) and the center
frequency (200 Hz-8 kHz), and the Q (filter sharpness) (0.5-
16) of the mid-band EQ. The Mid band is not available when
“2 Band EQ” is selected.
High
This adjusts the gain (-12 dB to +12 dB) and the shelving
frequency (500 Hz-18 kHz) of the high-band EQ.
ENTER Button
When the cursor is positioned inside the EQ section, the
ENTER button will be blinking. Press [ENTER] to view a
graphic display of the EQ settings.
[F5 (V.Trk)] V-Track Select
Selects the V-Track (1-16) for playback or recording. The
V-Track setting is only available in the Track Mixer. The
VS-1824 must be stopped before this value can be changed. A
small box indicates that a recording has been made on the
V-Track. A flat line indicates the V-Track has not yet been
recorded.
[F6 (PRM.V)] Parameter View/
[F6 (CH.V)] Channel View
Changes the display from Channel View to Parameter View.
Press [F6 (PRM.V)] to view the Parameter settings (such as
Pan or Effect Send) for all channels. Press [F6 (CH.V)] to view
the entire mixer settings for just one channel.
[F1(FX1)] Effect 1 Send
Channel settings for the EFFECT 1 Bus. Sets the Effect Send
Switch, the Send Level (0-127) and panning.
Sw (Effect Send Switch)
Switches the channel to the EFFECT bus.
Off:
The channel is not sent to the EFFECT bus.
Pre:
The signal is sent to the EFFECT bus before it passes
through the mixer fader.
Post:
The signal is sent to the EFFECT bus after it passes
through the mixer fader.
Level
Sets the channel’s send level (0-127)to the EFFECT 1 Bus.
Panning
Sets the channel’s panning (L63-R63) in the EFFECT 1 Bus.
[F2 (FX2)] Effect 2 Send
Channel settings for the EFFECT 2 Bus. Sets the Effect Send
Switch, the Send Level (0-127) and panning.
Sw (Effect Send Switch)
Switches the channel to the EFFECT bus.
Off:
The channel is not sent to the EFFECT bus.
Pre:
The signal is sent to the EFFECT bus before it passes
through the mixer fader.
Post:
The signal is sent to the EFFECT bus after it passes
through the mixer fader.
Level
Sets the channel’s send level (0-127) to the EFFECT 2 Bus.
Panning
Sets the channel’s panning (L63-R63) in the EFFECT 2 Bus.
[F3 (FX3)] Effect 3 Send
Channel settings for the EFFECT 3 Bus. Sets the Effect Send
Switch, the Send Level (0-127) and panning.
Sw (Effect Send Switch)
Switches the channel to the EFFECT bus.
Off:
The channel is not sent to the EFFECT bus.
Pre:
The signal is sent to the EFFECT bus before it passes
through the mixer fader.
Post:
The signal is sent to the EFFECT bus after it passes
through the mixer fader.
Level
Sets the channel’s send level (0-127) to the EFFECT 3 Bus.
Panning
Sets the panning (L63-R63) of the channel to the EFFECT 3
Bus.
- VS-1824 Owner’s Manual 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Handling the Internal Hard 6
- Disk Drive 6
- Copyright 6
- About the License Agreement 6
- Disclaimer of liability 6
- Table of Contents 10
- Preparations 16
- Simple Operation 17
- Connectivity 17
- Major Options 17
- Top and Rear Panels 18
- Front & Rear 19
- Recorder Section 20
- Rear Panel 22
- Front Panel 23
- Saving and Managing Data 24
- The Location Where a 25
- Sources, Tracks, and Channels 25
- Takes and Phrases 25
- About Events 26
- About Button Names 26
- Mixer Section 27
- Input Mixer 28
- Track Mixer 28
- Switching the Fader Functions 28
- V. Track 30
- Effects Section 31
- Turning the Power On and Off 32
- Saving Your Song 33
- (Song Store) 33
- Setting the Internal Clock 34
- Displays or Operations 35
- Page Boxes 36
- Page Marks 36
- Track Condition 36
- System Condition 36
- Mixer and System Initialize 37
- SMPTE Time Code 38
- Cursor Measure Beat 38
- Marker Number 38
- Selecting a Playlist Display 39
- Function Buttons 40
- Mixer Channel Display 41
- Changing Track Status 42
- Muting and Soloing 42
- Using Locators 43
- Auxiliary Cursor Cursor 44
- Using Markers 45
- When saving Auto Mixes 46
- Other Ways to Move In a Song 47
- Protecting Performances 48
- Selecting and Loading Songs 49
- (Song Select) 49
- Preparing for a New Recording 50
- Recording Mode 51
- Parameters) 51
- About Recording Times 52
- If “Drive Busy!” is Displayed 52
- Song Numbers 52
- Connecting Instruments 53
- Recording to the Tracks 54
- Mix Send Switch 55
- Mix Send Pan 55
- Recording on Other Tracks 56
- (Overdubbing) 56
- Recording Using Different 56
- Virtual Tracks (V-Tracks) 56
- Manual Punch-In/Punch-Out 57
- Auto Punch-In and Punch-Out 58
- Chapter 4 59
- Loop Recording 60
- Undo and Redo 62
- To use the Undo Function: 63
- To cancel an Undo (Redo): 63
- Cancel Only the Very Last 63
- Performed Operation 63
- Track Bouncing 64
- Track Bouncing With Effects 65
- Recording a Digital Source 66
- Using the Metronome 67
- Program the Tempo Map 68
- Using an External MIDI Sound 68
- Source to Play the Metronome 68
- Fader/Mute Button 71
- Determining Output 72
- AUX Connectors 73
- Digital Out Connectors 73
- Direct Out Connectors 74
- Mixer Buttons and Faders 75
- (Fader Mode) 75
- Input Mixer Default 76
- Assignment 76
- Channel Link 77
- Linked Channels 78
- Linking the Faders of Two or 79
- More Channels (Fader Group) 79
- Selecting V-Tracks 80
- Using the Equalizer (EQ) 80
- Attenuation 82
- Copying Mixer Settings 83
- Mixer Scenes 84
- Recalling a Scene Without 85
- [F2 (FX2)] Effect 2 Send 87
- [F3 (FX3)] Effect 3 Send 87
- [F4 (FX4)] Effect 4 Send 87
- [F5 (AUX)] AUX Send 87
- [F1 (FX1In)] Effect 1 Insert 88
- [F2 (FX2In)] Effect 2 Insert 88
- [F3 (FX3In)] Effect 3 Insert 89
- [F4 (FX4In)] Effect 4 Insert 89
- [F1 (Link)] Channel Link 89
- [F2 (ATT)] Attenuation 89
- Chapter 6 91
- [F4 (AUX.B)] AUX B 96
- [F5 (DOUT1)] DIGITAL OUT 1 96
- [F6 (DOUT2)] DIGITAL OUT 2 96
- Location of Effects 99
- Effect Types 99
- Procedure for Using Effects 100
- Selecting Effect Patches 101
- Patch Number Patch Name 102
- This Block is On 102
- Connecting Insert Effects 103
- When FX1 is used in Track 6 104
- Three Insert Effect Examples 105
- Master Block 105
- Next, Set Up the Mixer 106
- Begin by Selecting the Effect 106
- Connecting Loop Effects 107
- Two Examples of Using Loop 108
- Using Effects While Recording 109
- Recording 110
- Recording Insert Effects 110
- Recording a loop effect 111
- Recording Stereo Effects 112
- Three Important Reminders 112
- About Using Effects 112
- Chapter 8 EZ Routing 113
- Using EZ Routing Step Editing 114
- Step Editing 117
- Using EZ Routing Templates 123
- Chapter 9 Automix 124
- Using Automix 125
- Realtime Automix 125
- Automating the Master Stereo 126
- Mix and Monitor Output 126
- Automating Effect Returns 126
- Snapshot Automation 127
- Snap Mode 128
- Automating Effect Changes 128
- Gradation 129
- Two Gradation Examples 130
- Updating Automix 131
- Editing Automix Data 132
- Copy area Destination Marker 134
- 12 345 67 8910 11 134
- Destination Marker 134
- 12 345 67 91011 13812 134
- Smooth Data Transitions 135
- (Gradation) 135
- Values (Shift/Expand) 136
- Erasing Automix Data 138
- Track Editing 139
- Track Cut 140
- Chapter 10 141
- Track Move 142
- Start End To Time 143
- Track Copy 144
- Track Insert 146
- Track Exchange 147
- Track Time Compression/ 148
- Expansion 148
- Track Name 150
- Track Import 151
- Phrase Editing 152
- Dividing a Phrase 153
- (Phrase Divide/Split) 153
- (Phrase Split) 154
- Phrase Move 155
- Phrase Copy 157
- Phrase Trim In 159
- Phrase Trim Out 160
- Phrase New 161
- Track containing the Phrase 162
- V-track containing the Phrase 162
- 4-digit number 162
- Deleting a Take 163
- Editing Operations 164
- Steps for Track Editing 164
- Step 1: Set the Edit Points 165
- Adjusting the Preview Length 166
- Setting Scrub Length 167
- Increments 167
- Setting Scrub Direction 167
- Waveform Display 168
- Step 2: Perform the Button 169
- Pushes to Complete the Edit 169
- Track Editing vs. Phrase 170
- An Editing Note of Caution 171
- Practical Editing Application 171
- SPECIAL SHORTCUT: 172
- Chapter 12 Song Editing 173
- Song Split 174
- Song Combine 175
- Mastering Room 177
- Mixing Down to the Mastering 177
- Chapter 13 179
- Playing Back the Mastering 180
- To Prohibit Digital Copying 181
- Mixing Down While Inserting 181
- Creating an Audio CD 183
- Before Using the CD-RW drive 184
- Audio CD 184
- Creating a Master Stereo Mix 185
- Finalizing 185
- Assembling Multiple Songs 186
- CD Track Number Tip 187
- Writing Songs to CD-R Discs 188
- Adding a Song to a Partially 190
- Recorded Disc 190
- Arranging and Recording 190
- Multiple Songs to a CD-R Disc 190
- CD Player Function 191
- Capture Audio data from 192
- Audio CD (Capture function) 192
- Connecting an external 194
- CD-R/CD-RW Drive 194
- Vari Pitch 195
- Numerics/ASCII 195
- Stereo Input 196
- Using the MONITOR Knob to 196
- Adjust Channel Panning 196
- Synchronizing with MIDI 197
- Sequencers 197
- Synchronization Using the 198
- VS-1824 as the Master 198
- VS-1824 as the Slave 199
- Using MTC Offset 200
- Using the Sync Track (Master) 200
- Recording MIDI Clock Messages 201
- Synchronized Operation 201
- Using the Tempo Map 202
- Tempo Map Number 203
- Other Methods to Generate A 204
- Sync Track or Tempo Map 204
- Chapter 15 205
- Using MIDI Controller 206
- Messages 206
- Switching Scenes 207
- Switching Effects 207
- MIDI Machine Control 208
- Common Terms 209
- Cakewalk Pro Audio 210
- Cubase VST 211
- Logic Audio 212
- Digital Performer 213
- Vision DSP 214
- VS-1824 as Master Device 215
- Chapter 17 Using Hard Drives 216
- Recording Times vs. Sample 217
- Rate/Recording Modes 217
- Checking Remaining Space 217
- Recovering Drive Space 218
- Song Erase 219
- Using External Hard Drives 220
- Connecting a Removable 221
- External Hard Drive 221
- Saving a Song to an External 223
- Drive (Song Copy) 223
- Song Copy Playable 224
- Song Copy Archives 225
- Loading a Song from an 226
- External Drive 226
- Loading a Song from External 227
- Drive Select 228
- Hard Drive Maintenance 229
- Drive Check 230
- Surface Scan 231
- Backup Options 232
- Chapter 18 CD-R Backup 233
- Inserting a CD 234
- If a disc tray does not open 234
- CD-R Backup 235
- CD-R Recover 236
- Before Backing Up to DAT 238
- Saving Song Data to DAT 239
- (DAT Backup) 239
- Time Needed to Backup 240
- Recovering Data from a DAT 241
- Checking DAT Tape Contents 242
- Chapter 19 243
- Drive Compatibility 245
- Song Import 246
- Song Export 247
- System Settings for Each Song 249
- Peak indication 250
- Global Settings 251
- Numerics Type 252
- Measure Display 253
- SCSI ID Number 254
- IDE Drive Switch 254
- Input Peak Level 255
- Previous/Next Switch 255
- Fan Control 256
- MIDI Model ID 257
- Play and Record Settings 258
- Fade Length 259
- Alarm Clock 260
- Chapter 22 261
- Syncing Two VS-1824s or a 262
- VS-1824 and a VS-1680 262
- MASTER SLAVE 262
- Syncing a VS-1824 and 263
- VS-880/880EX or VSR-880 263
- VS-1824 Settings 264
- VS-880/880EX Settings 264
- Correspondence Between MIDI 265
- Preparations for Compu Mix 266
- Synchronizing with Video 267
- Equipment 267
- Using External Effects Units 268
- How Do I Control the Stereo 269
- Tracks Independently? 269
- Used For? 270
- How Do I Burn Audio CDs? 270
- How Do I Set CD Markers? 271
- How Do I Create a Tempo Map? 272
- How Do I Use Automix? 272
- Chapter 23 273
- How Do I Bounce Tracks? 274
- Why Can’t I Hear My Effects? 275
- How Do I Use the Scrub and 276
- Waveform Display Features? 276
- How Do I Restore the Mixer 277
- How Do I Import VS-1680 278
- VS-880/880EX, VS-890/VSR-880 278
- Numerics 279
- Information 290
- Canceling the capture 294
- Capturing Time 294
- A demo song is pre-installed! 295
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