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Chapter 9 Automix
Two Gradation Examples
Example 1: Crossfade Between Stereo Tracks
When creating your own original CD, you may decide you
want one song to fade out and the next to fade in
simultaneously. You can dictate the length of the crossfade
by determining the time between two Snapshots. Here are
the steps to creating a seven-second crossfade from Tracks 9/
10 to Tracks 11/12 using Snapshot gradation.
1. Make sure Automix is on. The AUTOMIX button should
be lit.
2. Make sure the Track 9/10 SELECT and Track 11/12
SELECT buttons are blinking. If either SELECT button is
not blinking, hold [AUTOMIX] and press the SELECT
button so it begins blinking.
3. Locate to the point in the song where you want the cross-
fade to begin.
4. Bring the fader for Track 9/10 to the 0 dB position. Bring
the fader for Track 11/12 all the way down.
5. Hold [SCENE] and press [TAP].
6. Press [FF] slowly seven times to advance exactly seven
seconds on the timeline to the position where you want
the crossfade to end.
7. Bring the fader for Track 9/10 all the way down. Bring
the fader for Track 11/12 to the 0 dB position.
8. Hold [SCENE] and press [TAP].
9. Hold [SCENE] and press [PREVIOUS]. “Gradation *** -
*** Sure ?” appears in the display. “***” indicates the
Automix marker number.
10.Press [ENTER/YES].
11.Rewind to a point before the start of the crossfade. Press
[PLAY] to hear the crossfade.
Example 2: Fade Out at End of Song
Another way to use a gradation is to create a smooth fade out
at the end of a song. Here are the steps for programming a
10-second fadeout at the end of a song.
1. Make sure Automix is on.
2. Make sure the [EDIT/SOLO] button is blinking. This
indicates Automix Record Ready for the Master fader. If
it is not blinking, hold [AUTOMIX] and press [EDIT/
SOLO].
3. Locate to the end of your song by holding [SHIFT] and
pressing [FF (Song End)].
4. Pull the Master fader all the way down.
5. Hold [SCENE] and press [TAP]. The current position of
the Master fader is stored as a Snapshot.
6. Press [REW] ten times. Each time you press [REW], the
play line backs up by exactly one second.
7. Put the Master fader up to 0 dB.
8. Hold [SCENE] and press [TAP].
9. Hold [SCENE] and press [NEXT].
10.“Gradation *** - *** Sure ?” appears in the display. “***”
indicates the Automix marker number.
11.Press [ENTER/YES].
12.Rewind back to before the beginning of the fadeout, and
press [PLAY] to hear the results.
- VS-1824 Owner’s Manual 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Handling the Internal Hard 6
- Disk Drive 6
- Copyright 6
- About the License Agreement 6
- Disclaimer of liability 6
- Table of Contents 10
- Preparations 16
- Simple Operation 17
- Connectivity 17
- Major Options 17
- Top and Rear Panels 18
- Front & Rear 19
- Recorder Section 20
- Rear Panel 22
- Front Panel 23
- Saving and Managing Data 24
- The Location Where a 25
- Sources, Tracks, and Channels 25
- Takes and Phrases 25
- About Events 26
- About Button Names 26
- Mixer Section 27
- Input Mixer 28
- Track Mixer 28
- Switching the Fader Functions 28
- V. Track 30
- Effects Section 31
- Turning the Power On and Off 32
- Saving Your Song 33
- (Song Store) 33
- Setting the Internal Clock 34
- Displays or Operations 35
- Page Boxes 36
- Page Marks 36
- Track Condition 36
- System Condition 36
- Mixer and System Initialize 37
- SMPTE Time Code 38
- Cursor Measure Beat 38
- Marker Number 38
- Selecting a Playlist Display 39
- Function Buttons 40
- Mixer Channel Display 41
- Changing Track Status 42
- Muting and Soloing 42
- Using Locators 43
- Auxiliary Cursor Cursor 44
- Using Markers 45
- When saving Auto Mixes 46
- Other Ways to Move In a Song 47
- Protecting Performances 48
- Selecting and Loading Songs 49
- (Song Select) 49
- Preparing for a New Recording 50
- Recording Mode 51
- Parameters) 51
- About Recording Times 52
- If “Drive Busy!” is Displayed 52
- Song Numbers 52
- Connecting Instruments 53
- Recording to the Tracks 54
- Mix Send Switch 55
- Mix Send Pan 55
- Recording on Other Tracks 56
- (Overdubbing) 56
- Recording Using Different 56
- Virtual Tracks (V-Tracks) 56
- Manual Punch-In/Punch-Out 57
- Auto Punch-In and Punch-Out 58
- Chapter 4 59
- Loop Recording 60
- Undo and Redo 62
- To use the Undo Function: 63
- To cancel an Undo (Redo): 63
- Cancel Only the Very Last 63
- Performed Operation 63
- Track Bouncing 64
- Track Bouncing With Effects 65
- Recording a Digital Source 66
- Using the Metronome 67
- Program the Tempo Map 68
- Using an External MIDI Sound 68
- Source to Play the Metronome 68
- Fader/Mute Button 71
- Determining Output 72
- AUX Connectors 73
- Digital Out Connectors 73
- Direct Out Connectors 74
- Mixer Buttons and Faders 75
- (Fader Mode) 75
- Input Mixer Default 76
- Assignment 76
- Channel Link 77
- Linked Channels 78
- Linking the Faders of Two or 79
- More Channels (Fader Group) 79
- Selecting V-Tracks 80
- Using the Equalizer (EQ) 80
- Attenuation 82
- Copying Mixer Settings 83
- Mixer Scenes 84
- Recalling a Scene Without 85
- [F2 (FX2)] Effect 2 Send 87
- [F3 (FX3)] Effect 3 Send 87
- [F4 (FX4)] Effect 4 Send 87
- [F5 (AUX)] AUX Send 87
- [F1 (FX1In)] Effect 1 Insert 88
- [F2 (FX2In)] Effect 2 Insert 88
- [F3 (FX3In)] Effect 3 Insert 89
- [F4 (FX4In)] Effect 4 Insert 89
- [F1 (Link)] Channel Link 89
- [F2 (ATT)] Attenuation 89
- Chapter 6 91
- [F4 (AUX.B)] AUX B 96
- [F5 (DOUT1)] DIGITAL OUT 1 96
- [F6 (DOUT2)] DIGITAL OUT 2 96
- Location of Effects 99
- Effect Types 99
- Procedure for Using Effects 100
- Selecting Effect Patches 101
- Patch Number Patch Name 102
- This Block is On 102
- Connecting Insert Effects 103
- When FX1 is used in Track 6 104
- Three Insert Effect Examples 105
- Master Block 105
- Next, Set Up the Mixer 106
- Begin by Selecting the Effect 106
- Connecting Loop Effects 107
- Two Examples of Using Loop 108
- Using Effects While Recording 109
- Recording 110
- Recording Insert Effects 110
- Recording a loop effect 111
- Recording Stereo Effects 112
- Three Important Reminders 112
- About Using Effects 112
- Chapter 8 EZ Routing 113
- Using EZ Routing Step Editing 114
- Step Editing 117
- Using EZ Routing Templates 123
- Chapter 9 Automix 124
- Using Automix 125
- Realtime Automix 125
- Automating the Master Stereo 126
- Mix and Monitor Output 126
- Automating Effect Returns 126
- Snapshot Automation 127
- Snap Mode 128
- Automating Effect Changes 128
- Gradation 129
- Two Gradation Examples 130
- Updating Automix 131
- Editing Automix Data 132
- Copy area Destination Marker 134
- 12 345 67 8910 11 134
- Destination Marker 134
- 12 345 67 91011 13812 134
- Smooth Data Transitions 135
- (Gradation) 135
- Values (Shift/Expand) 136
- Erasing Automix Data 138
- Track Editing 139
- Track Cut 140
- Chapter 10 141
- Track Move 142
- Start End To Time 143
- Track Copy 144
- Track Insert 146
- Track Exchange 147
- Track Time Compression/ 148
- Expansion 148
- Track Name 150
- Track Import 151
- Phrase Editing 152
- Dividing a Phrase 153
- (Phrase Divide/Split) 153
- (Phrase Split) 154
- Phrase Move 155
- Phrase Copy 157
- Phrase Trim In 159
- Phrase Trim Out 160
- Phrase New 161
- Track containing the Phrase 162
- V-track containing the Phrase 162
- 4-digit number 162
- Deleting a Take 163
- Editing Operations 164
- Steps for Track Editing 164
- Step 1: Set the Edit Points 165
- Adjusting the Preview Length 166
- Setting Scrub Length 167
- Increments 167
- Setting Scrub Direction 167
- Waveform Display 168
- Step 2: Perform the Button 169
- Pushes to Complete the Edit 169
- Track Editing vs. Phrase 170
- An Editing Note of Caution 171
- Practical Editing Application 171
- SPECIAL SHORTCUT: 172
- Chapter 12 Song Editing 173
- Song Split 174
- Song Combine 175
- Mastering Room 177
- Mixing Down to the Mastering 177
- Chapter 13 179
- Playing Back the Mastering 180
- To Prohibit Digital Copying 181
- Mixing Down While Inserting 181
- Creating an Audio CD 183
- Before Using the CD-RW drive 184
- Audio CD 184
- Creating a Master Stereo Mix 185
- Finalizing 185
- Assembling Multiple Songs 186
- CD Track Number Tip 187
- Writing Songs to CD-R Discs 188
- Adding a Song to a Partially 190
- Recorded Disc 190
- Arranging and Recording 190
- Multiple Songs to a CD-R Disc 190
- CD Player Function 191
- Capture Audio data from 192
- Audio CD (Capture function) 192
- Connecting an external 194
- CD-R/CD-RW Drive 194
- Vari Pitch 195
- Numerics/ASCII 195
- Stereo Input 196
- Using the MONITOR Knob to 196
- Adjust Channel Panning 196
- Synchronizing with MIDI 197
- Sequencers 197
- Synchronization Using the 198
- VS-1824 as the Master 198
- VS-1824 as the Slave 199
- Using MTC Offset 200
- Using the Sync Track (Master) 200
- Recording MIDI Clock Messages 201
- Synchronized Operation 201
- Using the Tempo Map 202
- Tempo Map Number 203
- Other Methods to Generate A 204
- Sync Track or Tempo Map 204
- Chapter 15 205
- Using MIDI Controller 206
- Messages 206
- Switching Scenes 207
- Switching Effects 207
- MIDI Machine Control 208
- Common Terms 209
- Cakewalk Pro Audio 210
- Cubase VST 211
- Logic Audio 212
- Digital Performer 213
- Vision DSP 214
- VS-1824 as Master Device 215
- Chapter 17 Using Hard Drives 216
- Recording Times vs. Sample 217
- Rate/Recording Modes 217
- Checking Remaining Space 217
- Recovering Drive Space 218
- Song Erase 219
- Using External Hard Drives 220
- Connecting a Removable 221
- External Hard Drive 221
- Saving a Song to an External 223
- Drive (Song Copy) 223
- Song Copy Playable 224
- Song Copy Archives 225
- Loading a Song from an 226
- External Drive 226
- Loading a Song from External 227
- Drive Select 228
- Hard Drive Maintenance 229
- Drive Check 230
- Surface Scan 231
- Backup Options 232
- Chapter 18 CD-R Backup 233
- Inserting a CD 234
- If a disc tray does not open 234
- CD-R Backup 235
- CD-R Recover 236
- Before Backing Up to DAT 238
- Saving Song Data to DAT 239
- (DAT Backup) 239
- Time Needed to Backup 240
- Recovering Data from a DAT 241
- Checking DAT Tape Contents 242
- Chapter 19 243
- Drive Compatibility 245
- Song Import 246
- Song Export 247
- System Settings for Each Song 249
- Peak indication 250
- Global Settings 251
- Numerics Type 252
- Measure Display 253
- SCSI ID Number 254
- IDE Drive Switch 254
- Input Peak Level 255
- Previous/Next Switch 255
- Fan Control 256
- MIDI Model ID 257
- Play and Record Settings 258
- Fade Length 259
- Alarm Clock 260
- Chapter 22 261
- Syncing Two VS-1824s or a 262
- VS-1824 and a VS-1680 262
- MASTER SLAVE 262
- Syncing a VS-1824 and 263
- VS-880/880EX or VSR-880 263
- VS-1824 Settings 264
- VS-880/880EX Settings 264
- Correspondence Between MIDI 265
- Preparations for Compu Mix 266
- Synchronizing with Video 267
- Equipment 267
- Using External Effects Units 268
- How Do I Control the Stereo 269
- Tracks Independently? 269
- Used For? 270
- How Do I Burn Audio CDs? 270
- How Do I Set CD Markers? 271
- How Do I Create a Tempo Map? 272
- How Do I Use Automix? 272
- Chapter 23 273
- How Do I Bounce Tracks? 274
- Why Can’t I Hear My Effects? 275
- How Do I Use the Scrub and 276
- Waveform Display Features? 276
- How Do I Restore the Mixer 277
- How Do I Import VS-1680 278
- VS-880/880EX, VS-890/VSR-880 278
- Numerics 279
- Information 290
- Canceling the capture 294
- Capturing Time 294
- A demo song is pre-installed! 295
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