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181

Chapter 13 CD-RW and Mastering

Chapter 13

To Prohibit Digital Copying

When mixing down from the VS-1824 to a DAT recorder or

similar recorder via a digital connection, you can prevent

digital copying of the tape on which the mixdown has been

recorded. Many DAT recorders implement “SCMS”—the

Serial Copy Management System. With a DAT recorder

which uses SCMS, you are allowed to make only one digital

copy of a regular audio CD onto a DAT tape. Once the digital

copy exists on the DAT tape, you cannot make additional

digital copies using the DAT tape as the source. This function

makes DAT tapes recorded digitally from the VS-1824

function as those recorded digitally from a CD. With the

following procedure, you can prevent your digitally mixed

master tapes from being later copied digitally onto DAT

tapes or other similar digital media.

SCMS (See Appendices p. 13)

1. Hold [SHIFT] and press [F5 (SYSTEM)].

The System menu icon appears in the display. If the

System menu icon does not appear, press [F6 (EXIT)].

2. Press [F1 (SYSPM)].

If “SYSPM” does not appear in the display above [F1],

press [PAGE] until “SYSPM” appears, and then press [F1

(SYSPM)].

3. Use [ ], [ ], [ ], and [ ] to move the

cursor to “Digital Copy Protect.”

Digital Copy Protect

This setting determines whether or not a DAT master

created from the Digital Output jacks of the VS-1824 can

be later copied digitally.

Off:

Digital copying of the DAT tape is allowed.

On:

Digital copying of the DAT tape is prohibited.

4. If you want to prohibit the digital copying of a master

DAT created from the VS-1824, use the TIME/VALUE

dial set Digital Copy Protect to “On.”

5. Press [PLAY (DISPLAY)] to return to the Playlist display.

Mixing Down While Inserting

Effects

You can insert effects as you mix down.

While performing a mixdown, it is common to insert an

effect such as a parametric equalizer or a compressor. For

this example, we will insert the Mastering Tool Kit (FX1;

p. 99) to adjust the overall volume balance as we mix down.

1. Press [CD-RW/MASTERING].

2. Press [F1 (MstRm)].

The Mastering Room screen will appear.

3. Press [ ], [ ], [ ], and [ ] to move the

cursor. Use the TIME/VALUE dial to specify the value

for each parameter.

fig.2-18

This parameter turns the Mastering Room feature on and off.

To rehearse your mix before actually recording your

mastering tracks, select “Off.”

On: When Sw is turned on, Tracks 17 and 18 are

designated as the mastering tracks—and will be

shown as “L” and “R” on the Playlist display.

Off: When Sw is turned off, Tracks 17 and 18

function normally.

* Remember that audio on Tracks 17 and 18 will not be included

in the final mixdown once Sw is set to “On,” since Tracks 17

and 18 will be used as mastering tracks. If you wish to include

audio from Tracks 17 and 18 in your final mix, you must

bounce it to any track from 1-16.

Status

This specifies the status of the mastering tracks. For this

example, select “Rec.”

Rec: Play back Tracks 1-16 while recording them to

the mastering tracks.

Play: Play back the mastering tracks. The sound of

Tracks 1-16 will not be output from the

MASTER jacks.

For details on the signal flow, see p. 27.

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