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Chapter 2. Creating Your Own Sounds

Chapter 2

Selecting the Fundamental

Waveform (WAVE, VARIATION)

[WAVE]

Select the waveform groups on which the synthesizer’s sounds are

based. Each time [WAVE] is pressed, the selected waveform group is

switched in the order shown right.

Holding down [WAVE] and pressing [VARIATION] switches

the waveform groups in the reverse order of that shown right.

[VARIATION]

Each waveform group selected by pressing [WAVE] features a

number of variations, providing you with an even wider sound

palette. Pressing [VARIATION] switches the variations in order of

variation number. Once you have selected a variation, press [EXIT].

By holding down [VARIATION] and pressing [WAVE], you can

switch the variations in the reverse order. You can also select

variations by pressing [VARIATION] and then pressing

[VALUE ▼/▲].

• The number of variations differs with the waveform group.

•“ ” (PWM waveform) includes no variations.

Waveform Group Number of

Variations

Description

(Sawtooth Wave)

12 (1–12) Often used in creating

characteristic synthesizer

sounds. Variation 12 is

constructed from multiple,

detuned, sawtooth waves

layered together.

(Square Wave)

10 (1–10) Often used in creating

characteristic synthesizer

sounds. The subtle differ-

ences in waveforms that a

variety of popular, classic

synthesizers had can be ex-

pressed through switching

variations.

(Pulse Wave)

9 (1–9) The Pulse group contains

nine pulse wave variations

you can switch through,

with duty cycles ranging

from 5% to 45%, set in mul-

tiples of 5%.

(PWM Wave)

1 (N/A) With this waveform, you

can have the pulse width

of a square wave change

periodically. Use this

when you want to create

subtle changes in the tone.

(Triangle Wave/

Sine Wave)

5 (1–5) This tone includes few har-

monics and no unusual

characteristics. The subtle

differences in waveforms

that a variety of popular,

classic synthesizers had

can be expressed through

switching variations.

SPECTRUM 20 (1–20) You can select waveforms

that are difficult to achieve

with general analog syn-

thesizers, such as voice-

type waveforms and other

waveforms with special

harmonic structures and

waves with formants.

NOISE 10 (1–10) Select from different noise

types, including white

noise, pink noise, and

noise for which the pitch

can be changed with the

keyboard.

1 2 ... 48 49 50 51 52 53 54 55 56 57 58 ... 123 124

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