Roland SH-32 Bedienungsanleitung PDF herunterladen (Seite 28)

Modifying the Sound

Press [WAVE] to select a waveform group.

The indicator for the currently selected waveform lights. To select one of the lower

waveforms, get the two indicators above the waveform to light.

fig.011

Here are some examples of waveform groups.

Saw Tooth waveform group

The waveforms of this group contain a fundamental sine wave and its integral

harmonics, at a fixed ratio. This produces a sharp and bright tone.

Square waveform group

The waveforms of this group contain a fundamental sine wave and its odd

numbered harmonics at a fixed ratio.

Triangle waveform group

This waveform group contains two types of sine waves and does not have any strong

harmonics.

Monitor the sound while you choose the preferred waveform group.

Slide [PITCH COARSE] and [PITCH FINE] to set the sound’s pitch.

Slide [PITCH COARSE] to change the pitch extensively. Slide [PITCH FINE] to fine-

tune the pitch.

Slide [ENV DEPTH] and [PITCH ENV] to change the pitch over time.

Slide [ENV DEPTH] to adjust the depth of the pitch envelope.

Slide [PITCH ENV/A] to set the time required for the pitch change to reach its

maximum. Slide [PITCH ENV/D] to set the time required for the pitch change to

drop from the maximum to its original state. Both oscillators use [PITCH ENV A/D]

in common.

Using [BALANCE], adjust the balance between oscillators 1 and 2.

When [OSC 1] or [OSC 2] is illuminated and its counterpart is blinking (when both

are not off), set the balance between the both.

With this, the waveform upon which your sound is to be based is now ready. Next,

we’ll refine the sound by applying a filter to the waveform.

Each group of waveforms has

various waveform patterns,

which you can select by

pressing [VARIATION] (p. 53).

The selected waveform

See “Determining the Basic

Waveform and Pitch (OSC 1

& 2)” (p. 52) for details on

waveforms.

You can easily shift the octave

up or down by pressing

[OCTAVE] (one octave up or

down) (p. 54).

Using [SUB OSC] (p. 54), you

can also add portions an

octave lower to create a deep

ass sound.

You can also synchronize the

oscillator 1 waveform to the

oscillator 2 pitch (p. 55).

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