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VS-880EX Application Guide
Sometimes it is also helpful to think about the audio signal as an actual wire (patch
cord) that you are holding in your hand. For example, plug a cable into your guitar.
Hold the other end in your hand. You are now holding an OUTPUT (the output of
the guitar). Every OUTPUT is always looking for the next INPUT. So I plug the
guitar cord into the INPUT of the VS-880EX. Now you visualize the guitar signal
flowing through the input amplifier, etc.
The VS-880EX Mixer
As you can see from the front panel, the VS-880EX provides 8 channel mixing faders. However, unlike a
conventional analog mixer where every fader is hard-wired to perform a specific function, the VS-880EX
digital mixer is virtual (assignable) – meaning that you can change the function of the buttons and faders
by using the [FADER/EDIT] button. This provides the VS-880EX digital mixer a high degree of flexibility.
The [FADER/EDIT] button can be set to INPUT (orange), TRACK (green), or RETURN (red).
Using the [FADER/EDIT] Button
The [FADER/EDIT] button is the key to using the VS-880EX’s mixer. It controls the functions of the faders
and the parameters available using the [CH EDIT] buttons.
When the [FADER/EDIT] button is lit orange, the faders are used to control the inputs (anything
connected to the input jacks on the VS-880EX’s rear panel). When the [FADER/EDIT] button is lit green,
the faders are used to control the tracks (anything that is already recorded). When the [FADER/EDIT]
button is lit red, the faders are used to control the returns (the output of the effects processors and the
inputs designated as the stereo in).
Drain (Bus)
OUTPUT
to street
Water Heater
INPUT to house
from water line
Your House
Cold Water (Bus)
Hot Water (Bus)
Bath Sink
Bathtub
Kitchen Sink
INPUT
INPUTS INPUTS
INPUT
INPUTS
Toilet
OUTPUT
OUTPUT
OUTPUT
OUTPUT
OUTPUT
OUTPUT
- APPLICATION GUIDE 1.0 1
- Table of Contents 3
- Purpose of this Guide 7
- How to use this Guide 7
- Icons & Symbols 7
- Mixer Channel 8
- Commands 8
- Tracking Session 9
- Overdub Session 9
- Mixdown Session 10
- Pointer Based Editing 11
- Summary of VS-880EX 12
- Terminology 12
- Understanding Your VS-880EX 19
- Understanding The Mixer 20
- A Mixer Analogy 21
- The VS-880EX Mixer 22
- Using the [FADER/EDIT] Button 22
- INPUT Mode 23
- TRACK Mode 23
- RETURN Mode 23
- Mixer Effect Routing 24
- Now Time 24
- Virtual Tracks 25
- Finding Your Edit Points 26
- Editing Resolution 27
- Using Waveforms To Edit 28
- Undo & Redo 28
- Channels Versus Tracks 29
- VS-880EX Demo Songs 31
- VS-880EX Connections 32
- AUX SEND 33
- MASTER OUTMASTER OUT 33
- Creating A New Song 34
- Naming A Song 35
- Save Your Song to Disk Often 36
- Sample Setup 37
- Synthesizer 39
- Locators 40
- Using Locator Banks 41
- Compressor 42
- With Internal Effects 46
- Effects On Track Two 48
- PlaybackPlayback 52
- Recording 52
- Stereo Mix 61
- Compressor, To One Track 62
- Using the Serial Insert Path 63
- Using the Voice Transformer 65
- Effects When Bouncing 71
- Monitor - Cue 72
- Using [Mute] 73
- TimeStart End 77
- Start End Time 78
- TO of the EDIT 80
- Final destination 80
- Start End To Time 81
- Narration 82
- AA'A" 85
- Multiple Verses 86
- 90 VS-880EX Application Guide 90
- Using Mute During Mixdown 92
- Track DAT 94
- FX ProcessorFX Processor 95
- 96 VS-880EX Application Guide 96
- Backup Your Song to DAT 99
- Recover Your Song from DAT 100
- Creating A Tempo Map 104
- Markers (Tap Tempo) 105
- Writing One Song to CD 109
- Loading Songs From CD-R 112
- Tips & Features 113
- Slave Mode - Master Mode 115
- Sync Track 115
- Sync VS-880EX to ADAT 119
- Sync VS-880EX to DA-88 120
- Sequencer 122
- Sync VS-880EX to Video 123
- VS-880EX Application Guide 124
- Glossary of General 125
- Audio and Recording 125
- Chapter 8: Appendix 125
- More About SCSI 136
- SCSI Cables 137
- SCSI Termination 137
- “ACTIVE” Terminators 138
- Terminator Power 138
- Test For Internal Termination 138
- Double Termination 138
- SCSI Summary 139
- Erasing the Demo Songs 140
- Updating the System Software 141
- Update Procedure 142
- Blank Track Sheet 143
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