Roland V-Synth Bedienungsanleitung

Thank you, and congratulations on your choice of the Roland V-Synth.* Microsoft and Windows are registered trademarks of Microsoft Corporation.* Windo

10 Main Features With this synthesizer, every component involved in sound creation has been taken to the next stage of evolution The V-Synth brings

100Other FunctionsAdjusting the Sensitivity of the Time Trip PadPerform this adjustment if the Time Trip pad no longer responds as you expect.1. In th

101AppendicesAppendices

102 Parameter List Patch Parameters Common Group (p. 36) * OSC1/2-PITCH, OSC1/2-TIME/PW, OSC1/2-FORMA/FAT, OSC1/2-LVL, OSC1/2-PENV-ATK, OSC1/2-PENV-D

103Parameter ListAppendicesOSC1/OSC2 Group (p. 42)Parameter ValueOscillator Switch OFF, ONOSC TypeOscillator Type ANALOG, PCM, EXT INWave Gain -12– +1

104Parameter ListFat (ANALOG)Fat 0–127Fat KF Fat Key Follow -200– +200Fat LFO Depth -63– +63Velocity Curve Envelope Velocity Curve 0–7Velocity Sens En

105Parameter ListAppendices*Mod Group (p. 46)COSM1/COSM2 Group (p. 46)*For details on the parameters of each COSM section, refer to “COSM Parameters”

106Parameter ListTVA Group (p. 47)*Parameter ValueTVA Switch OFF, ONTVALevel 0–127Level KF Level Key Follow -200– +200Lvl LFO Dp Level LFO Depth -63–

107Parameter ListAppendicesEffect Group (p. 50)• For details on the parameters of each MFX section, refer to “MFX Parameters” (p. 116).• For details o

108Parameter ListSystem ParametersCommon Group (p. 74)Parameter ValueMasterMaster Tune 415.3–466.2 HzMaster Key Shift -24– +24Master Level 0–127Patch

109Parameter ListAppendicesController Group (p. 77)Parameter ValueTxPatch Tx Ch Patch Transmit Channel 1–16, RX CH, OFFTx PC Transmit Program Change S

11Main Features Use with other devices for even greater possibilities● Open system architectureThe V-Synth lets you customize all patches and wave da

110Parameter ListV-LINK Group (p. 80) ParameterValueTx ChannelV-LINK MIDI Channel 1–16Audio V-LINK Audio Switch OFF, ONOutput V-LINK Keyboard Output

111AppendicesCOSM ListCOSM ParametersCOSM provides 15 types. This section explains the features of each COSM, and the functions of the parameters.Expl

112COSM ListAmp SimulatorSimulates an amp.Speaker SimulatorSimulates the speaker type.ResonatorSimulates the resonance of a guitar body.1st order Side

113COSM ListAppendices2nd order SideBandFilterBy boosting the fundamental and overtones, you can apply a pitch to unpitched input sounds such as noise

114COSM ListTVFCuts off a specific frequency band to change a sounds brightness, thickness, and other qualities.Dynamic TVFCuts off a specific frequen

115COSM ListAppendicesPolyphonic LimiterCompresses signals that exceed a specified volume level, preventing distortion from occurring.Frequency Shifte

116Effects ListMFX ParametersMFX (Multi-Effects) provides 41 types of effect. This section explains the features of each MFX, and the functions of the

117Effects ListAppendices01: Parametric EQ (Parametric Equalizer)This is a 4 band (low range, midrange x 2, high range) stereo parametric equalizer.fi

118Effects List04: Isolator and FilterA 3-band isolator, filter, and low booster are connected in stereo in series.Isolator is an equalizer which cuts

119Effects ListAppendices06: Amp Simulator (Guitar Amp Simulator)This is an effect that simulates an guitar amp.fig.MFX-06Specifications of each Speak

12Panel DescriptionsFront PanelVolume SliderAdjusts the overall volume that is output from the rear panel MAIN OUT jacks and PHONES jack.→ (Quick Star

120Effects List07: Auto WahWah is an effect that modifies the frequency characteristics of a filter over time, producing a unique tone. The wah effect

121Effects ListAppendices09: Dynamic Processor (Stereo Dynamic Processor)A comp/limiter, enhancer, 3-band equalizer, and noise suppressor are connecte

122Effects List11: Stereo DelayThis is a stereo delay. Depending on the length of the delay you set, you can get long echoes, thick sounds, or spatial

123Effects ListAppendices12: Multi Tap DelayThe effect has five delays. Each of the Delay Time parameters can be specified as a note length of the sel

124Effects List14: Vocal EchoThis effect simulates a karaoke echo.fig.MFX-1415: Band Pass DelayThis is a delay with a band pass filter (a filter that

125Effects ListAppendices16: Analog Delay→ChorusThis effect reproduces the sound of the BOSS CE-1 Chorus Ensemble. To reproduce the sound of the unit

126Effects List18: Space ChorusThis effect reproduces the sound of Roland’s SDD-320 spatial expression effects. Greater breadth is added.fig.MFX-1819:

127Effects ListAppendices21: BOSS FlangerThis effect features a pair of the same flanger circuits used in the BOSS compact flangers, connected in para

128Effects List23: Analog PhaserThis effect features two analog-type phasers arranged in parallel, making it stereo compatible. The sound as it cyclic

129Effects ListAppendices25: RotaryThe Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since

13Panel DescriptionsKEYBOARDHere you can change the pitch range of the keyboard.[TRANSPOSE]Specifies transposing the keyboard in semitone steps. → (p.

130Effects List27: Stereo Pitch ShifterThis effect features two pitch shifters arranged in parallel, making it stereo compatible. It can shift the pit

131Effects ListAppendices29: OD/DS→Delay (Overdrive/Distortion→Delay)This effect connects either Overdrive or Distortion and Delay in series.fig.MFX-2

132Effects List31: Enh→Cho/Flg (Enhancer→Chorus/Flanger)This effect connects Enhancer and either Chorus or Flanger in series.fig.MFX-3132: Enh→Delay (

133Effects ListAppendices33: Vocal MultiA limiter/de-esser, enhancer, 3-band equalizer, and delay are connected in series.A limiter holds down high si

134Effects List35: Bass MultiBass Multi provides Comp/Limiter, Overdrive or Distortion, 3-band equalizer, and Chorus or Flanger effects connected in s

135Effects ListAppendices36: Rhodes MultiEnhancer, Phaser, Chorus or Flanger, and Tremolo or Auto-pan are connected in series. This effect is used for

136Effects List38: PhonographThis effect reproduces the sound of an analog record played on a record player. This includes the various noises with the

137Effects ListAppendices40: Bit Rate ConverterBy changing the bit count and sample rate, this effect recreates the Lo-Fi (Low-Fidelity) sounds of the

138Effects List Chorus Parameters The functions of Chorus parameters are explained. Chorus Type 01: Chorus 1 This conventional chorus effect adds spa

139Effects ListAppendices01: Room 1Reverb which simulates the reverberation within a room. It is standard room reverb.02: Room 2This simulates the rev

14Panel DescriptionsEFFECTSHere you can switch the onboard effects (multi-effects, chorus, reverb) on/off. When an effect is on, the indicator for its

140Effects List03: Room 3Reverb which simulates the reverberation within a room. This is suitable for simulating a fairly large room, and produces rev

141Effects ListAppendices05: Hall 2Simulates the reverberation in a concert hall. This is suitable for simulating a smaller room, and produces a clear

142Effects List07: GarageThis simulates the reverberation of a garage. It produces the reverberation of a room surrounded by hard-surfaced walls with

143Effects List Appendices 09: Non-Linear This uses digital processing to create an artificial reverberation that is quite different than naturally o

144Effects ListBalance DRY100:0WET–DRY0:100WETVolume balance between the di-rect sound (DRY) and the delay sound (WET)Ps Low Freq 50–4000 Hz Frequency

145AppendicesTroubleshootingIf the this unit does not function in the way you expect, first check the following points. If this does not resolve the p

146TroubleshootingProblems Related to the USB Driver (Windows)Exclusive messages are not receivedIs the instrument set to receive Exclusive messages?

147TroubleshootingAppendicesDeleting Incorrect Device InformationUse the following procedure to re-install the driver.1. Turn off the power of your co

148Troubleshooting10.A dialog box will ask you to confirm deletion of the device. Verify the contents of the dialog box, and click [OK]. Delete each u

149AppendicesMessage ListThe V-Synth displays a variety of messages. There are three types of message screen.ERROR screen: This will appear if you att

15Panel DescriptionsRear Panelfig.00-02fig.00-03POWER SwitchPress to turn the power on/off. → (Quick Start; p. 4)AC InletConnect the included power co

150Message ListWARNING ScreensIf a WARNING screen appears, follow the procedure described in the corresponding “Action.”SAMPLE EDITMemory Full!There i

151Message ListAppendicesMessage BoxesMessage boxes are displayed briefly, and then disappear automatically.Message Meaning ActionCanceled! The operat

152About MIDIMIDI (Musical Instruments Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musi

153AppendicesMIDI Implementation1. Receive Data Channel Voice Messages* Not received in Multitimbre mode or Performance mode when the Receive Switchpa

154MIDI ImplementationThis device receives the following RPNs.RPN Data entryMSB, LSB MSB, LSB Notes00H, 00H mmH, llH Pitch Bend Sensitivitymm: 00H - 1

155MIDI ImplementationAppendices●MONO (Controller number 126)Status 2nd byte 3rd byteBnH 7EH mmHn = MIDI channel number: 0H - FH (ch.1 - 16)mm = mono

156MIDI Implementation●Global Parameter Control❍Scale/Octave Tuning AdjustStatus Data byte StatusF0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... F7Byte

157MIDI ImplementationAppendices2. Data Transmission Channel Voice Messages●Note OffStatus 2nd byte 3rd byte8nH kkH vvHn = MIDI channel number: 0H - F

158MIDI Implementation●Program ChangeStatus 2nd byteCnH ppHn = MIDI channel number: 0H - FH (ch.1 - 16)pp = Program number: 00H - 7FH (prog.1 - prog.1

159MIDI ImplementationAppendices3. Parameter Address Map* Transmission of “#” marked address is divided to some packets. For example, ABH inhexadecima

16Overview of the V-SynthHow the V-Synth Is OrganizedBasic StructureBroadly speaking, the V-Synth consists of a controller section and a sound generat

160MIDI Implementation| | | —15 — +15 [dB] || 00 36 | 000a aaaa | EQ Total Gain

161MIDI ImplementationAppendices| | | OSC2—AENV—ATK, OSC2—AENV—DCY, OSC2—AENV—REL, || | | OSC2

162MIDI Implementation| | | OSC1—AENV—ATK, OSC1—AENV—DCY, OSC1—AENV—REL, || | | OSC1—LFO—RATE,

163MIDI ImplementationAppendices|# 00 14 | 0000 aaaa | || | 0000 bbbb |

164MIDI Implementation | | 0000 bbbb | || | 0000 cccc |

165MIDI ImplementationAppendices| | 0000 dddd | || | 0000 eeee |

166MIDI Implementation| | | —63 — +63 || 01 01 | 00aa aaaa | Env 10 Time Keyfollo

167MIDI ImplementationAppendices❍Patch Controller+——————————————————————————————————————————————————————————————————————————————+| Offset |

168MIDI Implementation4. Supplementary Material Decimal and Hexadecimal Table (An “H” is appended to the end of numbers in hexadecimal notation.)In MI

169MIDI ImplementationAppendices Example of an Exclusive Message and Calculating a ChecksumRoland Exclusive messages (RQ1, DT1) are transmitted with a

17Overview of the V-SynthOverview of the V-SynthMemoryMemory Structurefig.01-03.eProjectThe largest unit of memory used by the V-Synth is the project.

170MIDI Implementation<Example4> Getting Temporary Patch data of whiole part (RQ1) at once;According to the “Parameter Address Map” (p. 159), th

171Function...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeProgramChangeSystem ExclusiveSystemCommonSystemRealtimeAuxMessagesN

172SpecificationsV-Synth: Synthesizer Keyboard● Keyboard61 keys (with velocity and channel aftertouch)● Sound Generator ConfigurationOscillator (envel

173IndexSymbols[+OCT] ... 13, 23[-OCT] ...

174IndexDuration ... 40EEffect ...

175IndexLoad Project ... 84Local Sw ...

176IndexPC CARD slot ... 15PCM oscillator loop switch ...

177IndexTT SCREEN CALIBRATION ... 99Template Name ...

178Installing the PC Card ProtectorThe V-Synth provides a PC card protector to prevent theft of the PC card. To install the PC card protector, use the

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.For EU CountriesFor CanadaThis Class B digital app

18Overview of the V-SynthBasic Operation of the V-SynthChanging Operating Modes ([MODE])The V-Synth has eight operating modes: Patch mode, Sample mode

InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.As of

19Overview of the V-SynthOverview of the V-SynthUSB Modefig.USB_50In this mode, you can connect the V-Synth to your computer and exchange patch or wav

CAUTIONRISK OF ELECTRIC SHOCKDO NOT OPENATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIRCAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,DO NOT REMOV

20Overview of the V-SynthMoving the CursorA single screen or window displays multiple parameters or items for selection. To edit a parameter’s value,

21Playing in Patch ModePlaying in Patch ModePatch mode is the mode in which you can play the keyboard using a single sound (patch or rhythm set).About

22Playing in Patch ModeSelecting Favorite Patches (Patch Palette)You can bring together your favorite and most frequently used patches in one place by

23Playing in Patch ModePlaying in Patch ModeTransposing the Keyboard in Octave Units (Octave Shift)The Octave Shift function transposes the pitch of t

24Playing in Patch ModePlaying Arpeggios (Arpeggiator)The V-Synth comes with an arpeggiator that can play arpeggios automatically. Once you turn on th

25Playing in Patch Mode Playing in Patch Mode Making Arpeggiator Settings 1. Access the PATCH PLAY screen (p. 21). 2. At the bottom of the screen, to

26Playing in Patch Mode0, 32, 64, 96, 127, Tie/ClrWhen inputting notes: When you touch one of these buttons, a note with the velocity shown on that bu

27Playing in Patch ModePlaying in Patch ModeCreating a Pattern by Inputting One Step at a Time (Step Rec)This method lets you create a pattern in a wa

28Playing in Patch ModeApplying Various Effects to the SoundThe V-Synth provides numerous ways in which you can make your performance more expressive,

29Playing in Patch ModePlaying in Patch ModeIf [ASSIGNABLE] is onThe effect will be applied when you move your finger up/down/left/right on the Time T

3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual...

30Playing in Patch ModeApplying an Effect by Turning a Knob (Assignable Controller)You can turn the ASSIGNABLE CONTROL knobs to modify the sound in re

31Playing in Patch Mode Playing in Patch Mode Example Connections fig.02-18.e Enter V-LINK Mode 1. Press [V-LINK] so the indicator lights. A PATCH PL

32Creating a PatchWith the V-Synth, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When yo

33Creating a PatchCreating a PatchInitializing Patch Settings (PATCH Init)“Initialize” means to return the settings of the currently selected patch to

34Creating a PatchNaming a Patch (PATCH Name)Before you save the patch, here’s how to give it a new name.1. Make sure that the patch that you want to

35Creating a PatchCreating a Patch• By touching <Compare> you can check the save-destination patch (Compare function).• When you touch <List&

36Creating a Patch Deleting Patches (PATCH Delete) Delete unneeded patches from the internal memory. 1. Touch < ▼ > in the upper right of the

37Creating a Patch Creating a PatchMode (Portamento Mode) Specifies the performance conditions for which portamento will be applied. ValueNORMAL: Po

38Creating a PatchBend Range Down (Pitch Bend Range Down)Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way le

39Creating a Patch Creating a Patch BEAM-L: D Beam controller (left) BEAM-R: D Beam controller (right) KNOB1: Assignable Controller ([C1]) KNOB2:

4USING THE UNIT SAFELY 016 • Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authori

40Creating a PatchArpeggio fig.03-11_50 Arpeggio Switch ◆ Switches the Arpeggiator on/off. Value: OFF, ON Patch Tempo ◆ Specify the tempo of an ar

41Creating a PatchCreating a PatchTunefig.03-12_50Patch Coarse TuneAdjusts the pitch of the patch’s sound up or down in semitone steps (+/-4 octaves).

42Creating a PatchModifying Waveforms (OSC1/OSC2)Oscillator Switch ◆Switches the oscillator on/off.Value: OFF, ONOSC TypeAnalog OscillatorPCM Oscillat

43Creating a PatchCreating a PatchPlayback Mode (PCM Oscillator Playback Mode)Specifies how the wave will be assigned to each key.ValueRETRIGGER: The

44Creating a PatchPulse Width (ANALOG)fig.03-15_50Pulse Width ★◆Specifies the amount by which the wave shape will be modified.Value: -63– +63PW KF (Pu

45Creating a PatchCreating a PatchFormant (PCM)fig.03-18_50The parameters of this screen are ignored when the Vari switch (p. 42) is off and when the

46Creating a PatchMixing/Modulating Two Sounds (Mod)Modulator Switch ◆Switches the modulator on/off.Value: OFF, ONMod Typefig.03-21_50Modulator TypeSe

47Creating a PatchCreating a PatchAdjusting the Volume and Pan (TVA)TVA Switch ◆Switches the TVA on/off.Value: OFF, ONTVAfig.03-24_50Level ★Specifies

48Creating a Patch Making Envelope Settings This section explains the envelope setting screens. fig.03-26_50 Velocity Curve (Envelope Velocity Curve)

49Creating a PatchCreating a PatchMaking LFO SettingsThis section explains the LFO setting screens.fig.03-27_50Waveform (LFO Waveform)Selects the wave

5IMPORTANT NOTES Maintenance 401a • For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To

50Creating a Patch● Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effectfig.LFO-2.eFade Mode: ON >>

51Creating a PatchCreating a PatchMFX To CHO (MFX Chorus Send Level)Adjusts the amount of chorus for the sound that passes through MFX. If you don’t w

52Creating a PatchREVfig.03-31_50REV Type (Reverb Type)Use this parameter to select from among the 10 available reverb. For details on reverb paramete

53Creating a PatchCreating a Patch4. In the lower part of the screen, touch <Split>.A window like the following appears.fig.03-33_505. Touch <

54Creating a Patch4. In the lower part of the screen, touch <Drum>.A window like the following appears.fig.03-34_505. To change the split point

55Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)In this chapter, we will explain the procedures for:• Sampling (

56Creating and Editing Samples (Sample Mode)Sampling ProcedureHere’s how to input a sound from the input jacks and sample it. For resampling, refer to

57Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)3. Select the location (sample number) that you wish to sample.M

58Creating and Editing Samples (Sample Mode)Naming a Sample (SAMPLE Name)Assign a new name to the sample. You can assign a name consisting of up to tw

59Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Moving a Sample (SAMPLE Move)1. Access the SAMPLE Top screen (p.

6 How To Use This Manual This owner’s manual is organized as follows. Before you start reading it, we’d like to suggest going through the Quick Start

60Creating and Editing Samples (Sample Mode)Deleting a Sample (SAMPLE Delete)1. Access the SAMPLE Top screen (p. 56).2. Touch <▼> in the upper r

61Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Input SourceSelect the input from which the sound will be sample

62Creating and Editing Samples (Sample Mode) LimiterThres (Threshold Level)Specifies the level (threshold level) at which the limiter will begin to f

63Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Naming a Template (Template Name)A template can be given a name

64Creating and Editing Samples (Sample Mode)Importing a SampleTo import samples you will use the Disk Save Project screen of Disk mode.1. Access the S

65Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)4. Touch <Edit>.The SAMPLE Loop FWD screen appears.fig.04-

66Creating and Editing Samples (Sample Mode) (Zero Cross Search)This function searches for locations where the sample has a value of zero. When settin

67Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Sample Editing Functionsfig.04-18CutThe region of the sample bet

68Creating and Editing Samples (Sample Mode)If you normalize at a low setting and then normalize at a high setting, the audio quality will deteriorate

69Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Original Tempo Setting The Original Tempo is the reference tempo

7 Contents USING THE UNIT SAFELY...3IMPORTANT NOTES ...

70Creating and Editing Samples (Sample Mode)4. Touch <Encode>.The SAMPLE Encode screen appears.fig.04-20_50To Execute the Encode OperationIn the

71Creating and Editing Samples (Sample Mode)Creating and Editing Samples (Sample Mode)Automatically Detecting EventsBy specifying the Depth, you can a

72Creating and Editing Samples (Sample Mode)Saving a SampleSamples that you sample or encode will be lost when you turn off the power. If you want to

73Settings Common to All Modes (System Mode)Settings Common to All Modes (System Mode)Settings that affect the entire operating environment of the V-S

74Settings Common to All Modes (System Mode)Functions of System ParametersThis section explains what the different System parameters do, and also how

75Settings Common to All Modes (System Mode)Settings Common to All Modes (System Mode)EQfig.05-02_504 Band EQ (4-Band Equalizer Switch)Switch the 4-Ba

76Settings Common to All Modes (System Mode)Rx Sys-Ex (Receive System Exclusive Switch)Specifies whether System Exclusive messages will be received (O

77Settings Common to All Modes (System Mode)Settings Common to All Modes (System Mode)Part MIDIfig.05-04_50Part1–16 Rx Sw (Part 1–16 Receive Switch)Fo

78Settings Common to All Modes (System Mode)KBDfig.05-06_50KBD Sens (Keyboard Sensitivity)Adjusts the keyboard’s touch.ValueLIGHT: Light weight synthe

79Settings Common to All Modes (System Mode)Settings Common to All Modes (System Mode)Knob 1, 2 AssignSpecifies the MIDI controller number that will b

8Contents Deleting Patches (PATCH Delete)...36F

80 Settings Common to All Modes (System Mode) V-LINK Settings (V-LINK) Tx fig.05-10_50 MIDI Channel (V-LINK MIDI Channel) Specifies the channel used

81 Settings Common to All Modes (System Mode) Settings Common to All Modes (System Mode)Knob 1, 2 Assign (V-LINK Knob1, 2 Assign) Specify the V-Link

82 Settings Common to All Modes (System Mode) Bend Assign (V-LINK Pitch Bend Assign) Specify the V-Link function that will be controlled when you ope

83Disk-Related Functions (Disk Mode)Disk-Related Functions (Disk Mode)Here you can load a project from disk into the internal work area (Load), or sav

84Disk-Related Functions (Disk Mode)Sorting the Files Displayed in the File ListIn each Disk Utility screen, you can change the order of the files dis

85Disk-Related Functions (Disk Mode)Disk-Related Functions (Disk Mode)Saving Project on Disk (Save Project)Save the project in the work area to disk.1

86Disk-Related Functions (Disk Mode)4. Touch <Preset> if you want to import from preset memory, touch <Int> if you want to import from int

87Disk-Related Functions (Disk Mode)Disk-Related Functions (Disk Mode)Functions Related to Files and Folders (Tools)You can manage files or folders by

88Disk-Related Functions (Disk Mode)5. In the file list, select the file or folder that you want to move.Here you can use the following functions. Tou

89Disk-Related Functions (Disk Mode)Disk-Related Functions (Disk Mode)Renaming a Files/Folders (Rename)1. Access the DISK UTILITY MENU screen (p. 83).

9Contents Renaming a Files/Folders (Rename)...89 Co

90 Connecting to Your Computer via USB (USB Mode) About USB Functions The V-Synth has two modes of USB functionality: storage mode for transferring

91 Connecting to Your Computer via USB (USB Mode)Connecting to Your Computer via USB (USB Mode) 6. Touch <OK>. 7. If a WARNING window like the

92 Connecting to Your Computer via USB (USB Mode) 8. Touch <Internal> or <PC Card> to establish the connection with your computer.<Int

93Connecting to Your Computer via USB (USB Mode)Connecting to Your Computer via USB (USB Mode)Macintosh UsersConnecting the V-Synth to Your Computer1.

94Connecting to Your Computer via USB (USB Mode)Closing the USB Storage Screen1. In the V-Synth’s USB Storage screen, make sure that “Access” (the acc

95Connecting to Your Computer via USB (USB Mode)Connecting to Your Computer via USB (USB Mode)Loading an Audio File (WAV/AIFF format) from Your Comput

96 Connecting to Your Computer via USB (USB Mode) Exchanging MIDI Messages with Your Computer (MIDI Mode) Driver Installation and Settings In order

97Other FunctionsOther FunctionsTransmitting Data to an External MIDI Device (Data Transfer)Patch, setup and system settings will be transmitted to an

98Other Functions Reset to Default Factory Settings (Factory Reset) This restores all data in the V-Synth to the factory-set condition (Factory Rese

99Other FunctionsOther FunctionsAdjusting the Sensitivity of the Touch Screen/Time Trip Pad/D Beam Controller (Calibration Mode)Displaying the CALIBRA