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113
COSM List
Appendices
2nd order SideBandFilter
By boosting the fundamental and overtones, you can
apply a pitch to unpitched input sounds such as noise
or a drum phrase. This lets you create a stronger effect
than the first-order sideband filter.
Comb Filter
A comb filter can be used to boost or cut the
fundamental or overtones.
Dual Filter
Two filters can be connected in series or parallel.
Parameter Value Description
COSM Type
Q 0–127 Frequency bandwidth
LPF 0–127 Cutoff frequency of the low
pass filter
LPF KF -200– +200 Key follow setting for cut-
off frequency of low-pass
filter
Octave -2, -1, 0 Octave setting
Width
Width #1 0–127 Bandwidth
Width KF -200– +200 Key follow setting for
bandwidth
Dyn Env -63– +63 Envelope depth for the in-
put sound
Width LFO Depth
#3
-63– +63 Amount of LFO applied to
bandwidth
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Detune
Detune #2 0–127 Detune
Dyn Env -63– +63 Envelope depth for the in-
put sound
Detune LFO
Depth #4
-63– +63 Amount of LFO applied to
detune
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).
Parameter Value Description
COSM Type
Octave -2, -1, 0, +1, +2 Octave setting
Tone
Tone #1 0–127 Tonal character
Tone LFO Depth
#3
-63– +63 Amount of LFO applied to
tone
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Detune
Detune #2 0–127 Detune
Detune LFO
Depth #4
-63– +63 Amount of LFO applied to
detune
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).
Parameter Value Description
COSM Type
Filter Type LPF/HPF, LPF-
>HPF, BPF/BPF
Type of filter
Filter1/2
Freq #1/#2 0–127 Cutoff frequency of the fil-
ter
Freq KF -200– +200 Key follow setting for filter
cutoff frequency
Reso 0–127 Resonance
Freq LFO Depth
#3/#4
-63– +63 Amount of LFO applied to
filter cutoff frequency
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 4
- Using DATA Cards 5
- How To Use This Manual 6
- Contents 7
- Main Features 10
- What is VariPhrase? 11
- Panel Descriptions 12
- 14 15 16 13
- Rear Panel 15
- Overview of the V-Synth 16
- Memory Structure 17
- Changing Operating Modes 18
- ([MODE]) 18
- Basic Touch Screen Operation 19
- Moving the Cursor 20
- Editing a Value 20
- Patch number 21
- Transposing the Keyboard in 22
- Semitone Steps (Transpose) 22
- Octave Units (Octave Shift) 23
- Playing Single Notes (Mono) 23
- (Portamento) 23
- Playing Arpeggios 24
- (Arpeggiator) 24
- Making Arpeggiator Settings 25
- Pattern (Pattern Edit) 25
- (Thirty-second note) 26
- Playing in Patch Mode 27
- Step at a Time (Step Rec) 27
- Erasing a Pattern (Clear) 27
- Hand Over the D Beam (D Beam 29
- Controller) 29
- Synchronizing Music and 30
- Video While You Play the V 30
- Synth (V-LINK) 30
- Edirol DV-7PR 31
- Projector 31
- Edirol UM-1 31
- Creating a Patch 32
- Naming a Patch (PATCH 34
- Saving Patches (PATCH Write) 34
- Patch (Compare) 35
- Palette) 35
- (Common) 36
- D Beam/Bender 37
- Matrix Ctrl 38
- 90 10 90 10 40
- 50 50 50 50 40
- Modifying Waveforms (OSC1/ 42
- Pulse Width (ANALOG) 44
- Fat (ANALOG) 44
- Time (PCM) 44
- Formant (PCM) 45
- Mixing/Modulating Two Sounds 46
- Note You Play (COSM1/COSM2) 46
- Adjusting the Volume and Pan 47
- Making Envelope Settings 48
- Making LFO Settings 49
- Zone Settings (Zone) 52
- Creating a Drum Patch (Drum) 53
- Sampling 55
- Sampling Procedure 56
- Naming a Sample (SAMPLE Name) 58
- Moving a Sample (SAMPLE Move) 59
- Exchanging a Sample (SAMPLE 59
- Exchange) 59
- Resampling 60
- Setup Settings 60
- Pre-Effect Settings 61
- Metronome Settings 62
- Checking Sample Information 63
- Importing a Sample 64
- Editing a Sample 64
- Zoom bar 66
- Actual length of wave 66
- Sample Editing Functions 67
- Loop Region Settings 68
- Converting the Sample to V 69
- Synth Data (Encode) 69
- Selecting the Encoding Type 70
- Deleting and Adding Events 71
- Saving a Sample 72
- How to Make the System 73
- Function Settings 73
- Functions of System 74
- Parameters 74
- MIDI/USB 75
- USB Setup 76
- Part MIDI 77
- TT Pad/Knob 78
- V-LINK Settings (V-LINK) 80
- About Disk Utility 83
- Basic Disk Utility Operations 83
- Loading a Project from Disk 84
- Initializing a Disk (Format) 86
- Folders (Tools) 87
- Renaming a Files/Folders 89
- (Rename) 89
- Selecting USB Storage Mode 90
- Windows Users 91
- Macintosh Users 93
- Your Computer 94
- Internal Memory 95
- Exchanging MIDI Messages 96
- Other Functions 97
- Touch Screen/Time Trip Pad/D 99
- Beam Controller (Calibration 99
- Trip Pad 100
- Beam Controller 100
- Appendices 101
- Parameter List 102
- OSC1/OSC2 Group (p. 42) 103
- BWD, ZERO, FWD 104
- COSM1/COSM2 Group (p. 46) 105
- Mod Group (p. 46) 105
- TVA Group (p. 47) 106
- Effect Group (p. 50) 107
- System Parameters 108
- Controller Group (p. 77) 109
- V-LINK Group (p. 80) 110
- COSM List 111
- Amp Simulator 112
- Speaker Simulator 112
- Resonator 112
- 1st order SideBandFilter 112
- 2nd order SideBandFilter 113
- Comb Filter 113
- Dual Filter 113
- Dynamic TVF 114
- Polyphonic Compressor 114
- Polyphonic Limiter 115
- Frequency Shifter 115
- Lo-Fi Processor 115
- Effects List 116
- 01: Parametric EQ 117
- (Parametric Equalizer) 117
- 03: Resonant Filter 117
- 04: Isolator and Filter 118
- 05: Distortion / OD 118
- (Distortion / Overdrive) 118
- 06: Amp Simulator 119
- (Guitar Amp Simulator) 119
- 07: Auto Wah 120
- 08: Humanizer 120
- 09: Dynamic Processor 121
- (Stereo Dynamic Processor) 121
- 10: Tape Echo Simulator 121
- 11: Stereo Delay 122
- 12: Multi Tap Delay 123
- 13: Reverse Delay 123
- LPF ECHO 124
- 16: Analog Delay→Chorus 125
- 17: Digital Chorus 125
- 18: Space Chorus 126
- 19: Hexa Chorus 126
- 20: Analog Flanger 126
- 21: BOSS Flanger 127
- 22: Step Flanger 127
- 23: Analog Phaser 128
- 24: Digital Phaser 128
- 25: Rotary 129
- 26: Tremolo/Auto Pan 129
- 27: Stereo Pitch Shifter 130
- 28: OD/DS→Cho/Flg (Overdrive/ 130
- Distortion→Chorus/Flanger) 130
- 29: OD/DS→Delay 131
- (Overdrive/Distortion→Delay) 131
- 30: Cho/Flg→Delay 131
- (Chorus/Flanger→Delay) 131
- 31: Enh→Cho/Flg 132
- (Enhancer→Chorus/Flanger) 132
- 33: Vocal Multi 133
- 34: Guitar Multi 133
- 35: Bass Multi 134
- 36: Rhodes Multi 135
- 37: Keyboard Multi 135
- 38: Phonograph 136
- 39: Radio Tuning 136
- 40: Bit Rate Converter 137
- 41: Pseudo Stereo 137
- Chorus Parameters 138
- Reverb Parameters 138
- 01: Room 1 139
- 02: Room 2 139
- 03: Room 3 140
- 04: Hall 1 140
- 05: Hall 2 141
- 06: Hall 3 141
- 07: Garage 142
- 08: PLATE 142
- T1 T2 T3 T4 143
- Troubleshooting 145
- Message List 149
- WARNING Screens 150
- Message Boxes 151
- About MIDI 152
- MIDI Implementation 153
- 00H = -64 [cents] 156
- 2. Data Transmission 157
- 3. Parameter Address Map 159
- 4. Supplementary Material 168
- 00 00 00 Patch Common 169
- MIDI Implementation Chart 171
- Specifications 172
- PC card protector 178
- V-Synth rear panel 178
- Information 180
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