Roland RT-10T Bedienungsanleitung PDF herunterladen (Seite 10)

10

Setting Trigger Parameters in a Percussion Sound Module

retriggering, it then becomes easy for sounds to

be omitted when the drums played fast (roll

etc.).

* Muting the drum can work to suppress

disruptions in the trigger waveform.

Crosstalk is a problem in which the vibrations

and sounds from a drum when it is struck ends

up triggering other drums. Crosstalk Cancel is a

setting that prevents crosstalk that occurs among

drum triggers connected to the same percussion

sound module.

When a sound being triggered by the snare

drum, for example, is heard when you play

another drum, kick or tom-tom, then you should

raise this value for the snare drum triggered

sound. If this problem occurs, Crosstalk Cancel

value should be adjusted first.

In this case, for example, if you hit the tom and

the snare drum triggers the sound assigned to it,

you can do the following:

1.

Set the tom and snare to the same Crosstalk

Cancel Group. (Only TD-20 and TD-12)

2.

Set the Mount Type for the tom and snare to

“PAD.” (Only TD-20 and TD-12)

3.

Then adjust the Crosstalk Cancel value for

the snare, by hitting the tom until the snare

trigger no longer triggers the sound.

***** Hint or Tips ICON ******

* If the triggers are being affected by sounds from

other drums without drum triggers or from

speakers, adjust the “Threshold” (p. 9) value.

* Only with attaching the drum trigger to the

drum, you can use the “Crosstalk Cancel” in the

percussion sound module to prevent you from

having crosstalk.

Crosstalk Cancel/ XTalk Cancel

Matching the Drum Trigger to the Sound

Module

Trigger types are groupings of various

trigger parameters adjusted to match

specific pads and triggers.

Roland percussion sound modules feature

pre-programmed trigger settings for this

purpose. Adjusting the trigger parameters

based on these settings will provide the best

performance from the RT-10 series.

Stable Triggering Dynamics and Speed

Accuracy

A drum trigger’s response is affected by

many variables. These include the type of

drum, the head and tuning, how it is

muffled (or muted) and your playing style.

Correct trigger parameter settings will

guarantee good dynamic response and

speed accuracy.

Special Triggering Examples

Triggering from acoustic drums is not only

used in a “normal” full, dynamic sense, but

sometimes triggers are used to trigger loops

in samplers, or sounds or special effects

where natural dynamics are not needed.

• When triggering a loop or special

effects, it is best to set the “threshold

level” to a high value.

This way, low velocity hits on the

drum will not trigger that sound.

• When triggering a sound that you

always want to be at the same level, no

matter how hard you play, set the

“Trigger Curve” to “LOUD”

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