Roland BR-800 Bedienungshandbuch PDF herunterladen (Seite 70)

70

Using Insert Effects

MATCH

MATCH

DRIVE

This models the sound input to left in-

put on a Matchless D/C-30.

A simulation of the latest tube amp

widely used in styles from blues and

rock.

FAT MATCH

This models the sound of a Matchless

with a modified high gain.

MATCH

LEAD

This models the sound input to right

input on a Matchless D/C-30.

BG LEAD

BG LEAD

This models the lead sound of the

MESA/Boogie combo amp.

The sound of a tube amp typical of the

late ‘70s to ‘80s.

BG DRIVE

This models a MESA/Boogie with

TREBLE SHIFT SW on.

BG RHYTHM

This models the rhythm channel of a

MESA/Boogie.

MS CLASSIC

MS1959 I

This models the sound input to Input I

on a Marshall 1959.

This is a trebly sound suited to hard

rock.

MS1959 I+II

The sound of connecting inputs I and II

of the guitar amp in parallel, creating a

sound with a stronger low end than I.

MS MODERN

MS HIGAIN

This models the sound of a Marshall

with a modified midrange boost.

MS SCOOP

This is a Marshall sound that’s been

tweaked for metal sound.

R-FIER

R-FIER VNT

Models the sound of the Channel 2

VINTAGE Mode on the MESA/Boogie

DUAL Rectifier.

R-FIER MDN

Models the sound of the Channel 2

MODERN Mode on the MESA/Boogie

DUAL Rectifier.

R-FIER CLN

Models the sound of the Channel 1

CLEAN Mode on the MESA/Boogie

DUAL Rectifier.

T-AMP

T-AMP LEAD

This models a Hughes & Kettner Tri-

amp AMP3.

T-AMP

CRNCH

This models a Hughes & Kettner Tri-

amp AMP2.

T-AMP

CLEAN

This models a Hughes & Kettner Tri-

amp AMP1.

HI-GAIN

BOSS DRIVE

This is a drive sound producing awe-

some distortion.

SLDN

This models a Soldano SLO-100.

This is the typical sound of the eighties.

LEAD STACK This is a lead sound with high gain.

HEAVY LEAD

A powerful lead sound featuring ex-

treme distortion.

Parameter/

Range

Explanation

METAL

BOSS METAL

This is a metal sound suited to heavy

riffs.

5150 DRIVE

This models the lead channel of a

Peavey EVH 5150.

METAL LEAD This is a lead sound suited to metal.

EDGE LEAD

This is a sharp sound suited for lead

play.

GAIN

0–120

Adjusts the distortion of the amp.

BASS

0–100

Adjusts the tone for the low frequency

range.

MIDDLE

0–100

Adjusts the tone for the middle fre-

quency range.

TREBLE

0–100

Adjusts the tone for the high frequency

range.

PRESENCE

0–100

Adjusts the tone for the ultra high fre-

quency range.

LEVEL

0–100

Adjusts the volume of the entire

preamp.

* Be careful not to raise the Level setting

too high.

BRIGHT

Turns the bright setting on/off.

* The BRIGHT parameter setting is only partially available

with some JC CLEAN, TW CLEAN, CRUNCH, or BG

LEAD settings in Preamp Type.

OFF

Bright is not used.

ON

Bright is switched on to create a lighter

and crisper tone.

GAIN SW

LOW,

MIDDLE,

HIGH

Provides for selection from three levels

of distortion: LOW, MIDDLE, and

HIGH.

Distortion will successively increase

for settings of LOW, MIDDLE and

HIGH.

* The sound of each Type is created on the

basis that the Gain is set to MIDDLE.

So, normally set it to MIDDLE.

SP TYPE (Speaker Type)

Select the speaker type.

OFF This turns off the speaker simulator.

Parameter/

Range

Explanation

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